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TerraSkin vs. Yupo

6 Nov

I’ve been using both TerraSkin and Yupo paper for several years.  These two smooth papers have been produced as shopping bags and labels, envelopes, wristbands, signs, banners, booklets and more before it came to the fine art world.

I heard that TerraSkin was a more eco-friendly alternative than Yupo synthetic paper but it’s really a toss-up.  Neither use trees to make their paper, both conserve water in their production processes and both are non-toxic.  The biggest difference is in the plastic they use to hold the ground stone, also known as Calcium Carbonate together as a sheet.  Yupo uses Polypropylene which has a high melting point, is pliable has a slight static charge (attracts dirt and dust), and costs less than Terraskin.

Terraskin uses High-density Polyethylene with a lower melting point, is less pliable, doesn’t carry a static charge (attracts less dirt and dust) but costs more due to a higher purity (100% virgin).

Here is what these two chemicals look like:

I’ve made up charts of each paper’s properties below.

charts so

My Thoughts on Synthetic papers:

Synthetic papers are easy to work with and have only slight differences that I’ve noticed.  The paper doesn’t need to be stretched.  It doesn’t shrink or expand.  They work fairly well with wet or dry mediums but the floating wet paints take a lot of practice to control.  Terraskin seems easier for layering colors but with patience and practice you can find ways to work with both.

If you are not happy with your painting, you can take it right to the sink and wash it off, although Terraskin tends to stain with certain pigments.

Tyvek is another synthetic material that painters are experimenting with but I haven’t worked with this yet.  Synthetic papers are being embraced by artists for their durability, eco-friendly qualities and their unique painting surfaces.

These papers may be better for the environment due to their tree-free and low water production processes but many of our oceans have plastics floating in them causing problems for the marine wildlife.  So I would advise painters to re-use and recycle their papers rather than tossing in the garbage.  Since I work in watercolor, it’s easy to just rinse off a painting and start again.  If you are using a more permanent medium and wish to start over, remember to use the back or maybe you would turn it into a collage or recycle where #2 plastics can be recycled as an alternative.

 

CREDITS:  https://www.globalplasticsheeting.com/our-blog-resource-library/bid/92169/polypropylene-is-it-different-from-polyethylene  http://www.sea.edu/plastics/frequently_asked_questions, http://www.sea.edu/plastics/current_sea_research

creeping yellow roses with logo

“Creeping Yellow Roses”, Watercolor on TerraSkin paper, 26″x34″ Katie Turner

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Unusual Materials

26 Oct

UlaEinsteinSCALESwebArtists are known for creating all kinds of odd and wonderful things, so it’s not a surprise to see art using Tyvek®.

DuPont™ produces Tyvek® which is best known for its application as housewrap.  It is used to protect the walls of a home from moisture.  Tyvek® is also used in medical packaging, protective clothing and now in all kinds of art, jewelry and more.

Ula Einstein is an artist living in New York City who creates with Tyvek®.  She first started working with Tyvek® in 2008.  Einstein usually starts her process with cutting the Tyvek®, then uses a variety of techniques including: painting, scorching, piercing, crumpling, searing, drawing out and layering.  All these, result in innovative works that are a cross between paintings and sculpture together.

Her works titled “Hybrid In(ter)ventions” exhibited at the FLUX Art Fair 2015 in NYC.

There is an article about her work here: Tyvek Graphics Einstein

Other artists who create with Tyvek® include Taiko Chandler, and Susan Greer Emmerson, Tom Sachs, Kathy McCreedy and more.

If you are looking to try your hand at creating with Tyvek®, it can be purchased online by roll (22”x84”) for approx.. $9.99 from ebay, etsy, amazon and also www.hollanders.com which sells  bookbinding supplies.

Dupont has information on artists who use their Tyvek® product here: Tyvek Graphics Uses Article

Something is Better than Nothing

16 Oct
Purple Pole Beans

“Purple Pole Beans”, Watercolor on Yupo paper, Katie Turner

A fellow artist approached me recently bemoaning that his drawing wasn’t as he would have liked it.  When I asked him why he didn’t like his drawing he explained that it had been done using a photo reference rather than sketching it “en plein air”.

In my opinion, drawing from a photo is certainly better than not drawing at all.  But without the right approach it can be a sad experience with drawings and paintings that look flat, lifeless and soulless.

So how do you keep your drawing or painting from lacking soul? First, have a positive attitude and then an open mind. What are you feeling as you draw this?  What senses are affecting you during the drawing process?  What is it about this particular subject that you want to communicate to the viewer in your drawing?

Another thing to consider is what the photographer has already done in the photo.  How have they already edited the scene and what can you do to make it your scene rather than just a repeat of what the photographer created?  What else can you bring to this drawing that would make it fresh and spice it up?

Remember that your art tells your story and you get to choose what you want to say and how to say it.   Happy creating. ♦

Chromatic Interaction

29 Aug

There are many methods for organizing colors in the world of art and science.  Having a visual model can help an artist see the relationships colors have with each other. A color wheel, developed by Albert Munsell in 1905, assigned a numbering system to colors and became a useful and common tool artists and designers could use for planning color ideas.  Johannes Itten also developed a three-dimensional model, integrating the color wheel into a globe.

Using a sketchbook to study colors can help an artist examine the relationships between warmer and cooler colors as well as between analogous and complementary colors.  As a watercolorist, I can gain an understanding of how the various watercolors work together, but may find changes as I experiment with different brands.

Testing chromatic interaction doesn’t have to be boring at all – try this exercise for fun:

  1. Draw several free-hand circles in various sizes.  Allow them to overlap.  This first step is optional, since you could just create your circles with the brush.
  2. Start with the largest circle, painting one color into the circle.
  3. Clean the brush with water before adding a second color. Paint the new color into the adjoining circle on the first circle.  Watch the colors bleed, paying attention to how the colors are interacting.
  4. Continue painting circles with different colors.
  5. This is only one way to paint the circles. You could also wait for each circle to dry before painting the next, so there would be no “bleeding” of colors.

Have fun!

To read more about color theory, click here: https://watercolorpainting.com/color/

https://uxplanet.org/algorithm-for-automatic-harmonious-color-selection-for-the-image-fc26dde69ca1

The Munsell Color System: https://web.archive.org/web/20030813092028/http://www.adobe.com/support/techguides/color/colormodels/munsell.html

Itten Color: https://www.bauhaus100.de/en/past/teaching/classes/preliminary-course-by-johannes-itten/index.html

An art & design duo from Milan have chromatic interaction art:  https://www.carnovsky.com/RGB.htm

For the Joy of It: Watercolor Paintings by Katie Turner

1 Jun

Two or More

This Saturday I will be hanging a new show at the Maxwell Memorial Library.  I titled the show, “For the Joy of It: Watercolor Paintings by Katie Turner” because I specifically wanted to focus on the positive aspects of art.  I find art can fulfil many roles and joy is one of my favorites.  Art can be so much more than just pretty pictures, it brings healing and peace to a challenging situation or it refocuses our minds to a certain time or memory.   This show gives me an opportunity to share joyful paintings with other art lovers.  I hope local friends, family and art aficionados will join me for a reception on Monday, June 4, 2018 from 6-7:30 at the Maxwell Library, 14 Genesee St., Camillus, New York.

For more information go to: www.KTArtStudio.com or www.Maxwellmemoriallibrary.org

The show runs from June 2-30, 2018.

Urban Decay

20 Apr
Urban Decay

“Ring of Fire”, 20″x16″ Watercolor on Terraskin, 2018 Katie Turner

A quick thanks to those local art-lovers who came out last week for my Urban Vibe Art reception.  It was so very nice to meet you.  Those who couldn’t make it – you were missed.  Thanks!

Urban Vibe: Watercolors by Katie Turner

1 Apr
Keep Out

“Keep Out” Watercolor by Katie Turner 2018

Paintings from Katie Turner’s “Urban Vibe” series incorporate her loose style with the structure of city buildings. Cities have contradictory traits, much the same as people with creative spirits, some of which fuels her inspiration. Her paintings are rich with color, shape and emotion. The colors she chooses speak to the excitement of city growth and beauty. On the other hand, color choice also lends itself to the dark side of decay, danger and destruction. As she paints, these cities seem to have their own spirit as they go in unplanned directions, colors mixing and mingling and developing on their own. It is exciting to see how these urban landscapes develop and the stories they tell.

Join us for a reception on Thursday, April 12, from 6:00 p.m. – 7:30 p.m. FREE

(Show runs for the month of April 2018)

Hosted by Petit Branch Library – Onondaga County Public Libraries

105 Victoria Place, Syracuse, New York 13210